Àbadakone|Continuous Fire|Feu continuel at the National Gallery of Canada had ended after an amazing (an extended run thanks to Covid). This amazing exhibition featuring the work of more than 70 international contemporary Indigenous artists from 16 countires is one of those exhibitions that makes the National Gallery of Canada a special institution. Even though this exhibition is over I wanted to share some images of it.
On our way home from a little weekend trip to northern Québec we decide to take a little detour to pass through Québec City to see the exhibition Frida Kahlo, Diego Rivera and Mexican Modernism: The Jacques and Natasha Gelman Collection at the Musée national des beaux-arts du Québec. I had hoped to write a little review of this exhibition but instead I’m going to share my experience of visiting a blockbuster exhibition in the time of Covid-19.
Last time I was down around Toronto I stopped into the Art Gallery of Ontario to see their new exhibition, Brian Jungen Friendship Centre (June 20 – August 25, 2019). Jungen is a Dane-Zaa / Swiss artist based in British Columbia. Although a lot of his artwork is related to his Indigenous heritage he also looks at issues of environmentalism and consumerism. Jungen is probably best know for his mask sculptures that use Nike Air Jordan sneakers to create Indigenous style masks. The new exhibition at the AGO is the largest exhibition of his work and is meant to be an in-depth exploration of his artwork.